International Teletext Art Festival ITAF Yle PARTICIPATING ARTISTS and WORKS:
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| Max Capacity web: maxcapacity.tumblr.com | ||||||||||||||||||||
| Max Capacity (USA) suffers from a severe but well documented case of data-addiction, as well as a fetish for obsolete media and electronics. He currently lives and works on the outskirts of Silicon Valley, California, planning super-villain style revenge on the world. |
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| Brain | City X1 | Vulture | City X2 | Goons | ||||||||||||||||
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| Cordula Ditz web: www.corduladitz.de | |||||||||||||||
| Aspects of the uncanny dominate many of Cordula Ditz's work. Her installations include found footage and staged video works, paintings and industrial materials such as mirror glass or neon.She examines the theme of uncanniness using various methods as making use of the relationship between words and the feelings they can evoke. |
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| I'M WATCHING YOU | |||||||||||||||
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| Daniel Egg web: www.danielegg.com | |||||||||||||||
| Daniel Egg (Austria, born 1973) lives and works in Vienna. Since 1994 he shows a number of works in the media photography, film, video and installation. Daniel Egg was presented inter alia in art exhibitions at the Kunstraum Innsbruck, the Neue Galerie Graz, the ZKM Karlsruhe, the MoMa in Helsinki, the Museum van Hedendaagse Kunst Antwerpen, the Kunsthalle Wien and the ICA Philadelphia. | |||||||||||||||
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| DUST and SCRATCHES (From two films of the Austrian avantgarde-filmmaker Kurt Kren) | |||||||||||||||
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| Dragan Espenschied web: 1x-upon.com/~despens | |||||||||||||
| Home Computer Folk musician, Internet Artist, Geocities researcher, Palm Pilot Cartoonist, expert on the Digital Vernacular. |
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| Lucky Cat | Netscape Now! | Sparkle | |||||||||||
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| Dan Farrimond web: www.illarterate.co.uk | |||||||||||||||||||
| Dan Farrimond (UK) claims to be a teletext artist, but is in reality more of an experimenter. Though he purports to be a multimedia designer, his methods are best described as 'slap it down and see if it works'. |
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| Sweet Rockall | Goodtimes | Teletext Passport | Teletextart | Treasure Hunt | |||||||||||||||
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| Goto80 web: www.goto80.com | |||||||||||||||
| Goto80 (Sweden) is “the most prolific chip music artist” (Computer Music Magazine) who explores methods, styles and formats like there’s no tomorrow. The improvised audiovisual text mode ambience of 2SLEEP1 (2011), the falsetto salad-rock TV-performance (2010) and the eatable Acid Burger (2008) shows his passion for techno-craft and futuribles. He works with for example electronica, house acid wonk, schlager rock, electro, drum n’ bass and grind pop. |
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| REMOTE CONTROL MUSIC STUDIO! | |||||||||||||||
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| Kathrin Günter web: katier.org | |||||||||||||||
| Kathrin Günter (Germany) has been exploring extensively gossip, star behaviour and the phenomenon of paparazzi photography. Her latest researches and investigations focus on thought-o-graphic experiments, photo chemical processes, spirit photography and other invisible phenomena of the early twentieth century. The Teletext,- or rather Celebritext format adds yet another colourful layer to the infamous body of work "Star Shots", which the artist has been continuously enjoying and elaborating since 1999. Throughout various media, formats and techniques "Star Shots" exposes the allegedly scandalous world of celebrity and paparazzi photography.
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| Lindsay Lohan's Mug Shot Cabinet | |||||||||||||||
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| Juha van Ingen web: www.juhavaningen.com | ||||||||||||||
| Juha van Ingen is a Helsinki based visual artist working in various mediums including lo-tech web and video art. " My work for ITAF2013 was inspired by 'Sunset' a painting by J.M.W. Turner". |
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| The Tale of Tomorrow | ||||||||||||||
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| Manuel Knapp web:knapp.klingt.org | ||||||||||||||
| The Austrian artist Manuel Knapp (born 1980) is a multi-talented creative. He studied painting and graphic art at the Academy of Fine Arts in Vienna and computer music and electroacoustic media at the University of Music and Performing Arts in Vienna. Knapp regularly shows intense noise performances together with colleagues from the avant-garde music scene, while he presents his computer animated experimental films alongside exhibitions at international film and music festivals. Manuel Knapp lives and works in Vienna and Tokyo. |
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| Untitled | ||||||||||||||
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| John Lawrence web: www.johnlawrence.tv | ||||||||||||||
| John Lawrence (b.1981, UK) employs a range of tactics and techniques within his work which ranges from large-scale video installation to a radio-play written for one performer. Recent show's include For What It Is with Roy Voss, Andor Gallery, London, and Original Carbon Copy, Fold Gallery, London. He studied at the Royal Academy Schools, London. . |
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| Connecting People | ||||||||||||||
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| Marc Lee web: www.1go1.net | ||||||||||||||
| b.1969 Switzerland creates network-oriented interactive projects since 1999. Experimenting with information and communication technologies, his projects locate and critically discuss economic, political, cultural and creative "issue-clusters" that are essential for communication processes in digital networks. Marc Lee has exhibited in major new media art exhibitions including: ZKM Karlsruhe, New Museum New York, Transmediale Berlin, Ars Electronica Linz, Contemporary Art Biennale Sevilla, Viper and Shift Basel, Read_Me Festival Moskau, CeC Dehli, MoMA Shanghai, ICC Tokyo and Media Art Biennale Seoul |
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| Breaking News | ||||||||||||||
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| LIA web: www.liaworks.com | ||||||||||||||
| The Austrian artist LIA - one of the early pioneers of Software and Net Art - has been creating digital art, installations and sound works since 1995. Her works combine various traditions of drawing and painting with the aesthetic of digital images and algorithms. They are characterized by a minimalist quality, and by an affinity with conceptual art. In the five works that LIA created for the teletext art festival she uses the single pixel as basic building blocks. The images play on the one hand with the idea of algorithms, by varying the distances between lines and pixels following algorithmically defined patterns; and on the other hand with the intense contrast between black and white elements demanded by the limitations of the technology. In four of the five works the teletext "flash" command is used to provide a hierarchical order of the elements without using animation as such. A clear boundary is formed between the permanent (static) and impermanent (dynamic) elements; this boundary appears and disappears as the blinking effect plays out. If the entire image were always visible, ie if there was no blink effect, the dynamic elements would be lost amongst the static elements. |
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| Black & White | ||||||||||||||
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| Raquel Meyers web: www.raquelmeyers.com | ||||||||||||||
| Raquel Meyers (Spain, Cartagena, 1977) works with low-res graphics and photography for performance, web, video and installations. Currently she works with storytelling in text mode (ascii, petscii, etc) together with Goto80. Lightrhythmvisuals released her collected works in 2010 on the DVD ‘Useless, Yet Crucial’. It shows her characteristic mix of black humour, surreal imagery and low-res graphics. Meyers grew up with black and white photography, singing in grind core bands, selling books and watching disturbing movies. During her time in Entter (2000-2007) she developed a frenetic style that is still “blowing minds (or causing seizures)” as Wired put it. There is little if any sentimentality for old technologies. It is the brutalist way that fascinates her, noticeable in animation works such as The Emperor’s Snuff Box (2008) and the stop motion work Dodekafobia (2009). The frenetic brutalism culminated with Polybius (2010) that mimicked a sense deleting arcade game from the 1980s, and her solo A/V performanceError Holidays (2010). Since 2004 she has performed at VJ-festivals like Mapping and Cimatics, at 8bit events like Tokyo Blip Festival and the Playlist exhibition, aswell at Transmediale, LABoral and LEV Festival. She currently lives and works in Sweden. |
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| The journey of the sun | ||||||||||||||
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| Seppo Renvall web: www.northernvideoart.net/ARTISTS/sepporenvall | ||||||||||||
| Seppo Renvall's wide-ranging, multi-faceted production stands at the apex of the Finnish experimental moving image. In Renvall's films personal material is often combined with a physical re-working of the properties of the film. |
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| Finnish Architecture in small scale | ||||||||||||
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| Jarkko Räsänen web: jarkkorasanen.com | ||||||||||||||||
| Jarkko Räsänen (Finland) is a Berlin/Helsinki based media artist working with video, photography, sound installations and software design. He is interested in human machine interaction and in the concept of realism in relation to audiovisual media. | ||||||||||||||||
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| : ( | FFFFFFFFFFFFFFFFFFFFFFF | : / | Teletext nicht verfuegbar | |||||||||||||
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| UBERMORGEN web: ubermorgen.com | ||||||||||||||||||||
| Behind UBERMORGEN (AT/CH/USA, b.1995) we can find one of the most unmatchable identities - controversial and iconoclastic - of the contemporary European techno-fine-art avant-garde. |
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| Youtube comments [on 920]
My Little Pony, Friendship is Magic |
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Littlest Pet Shop, Lights, Camera, Mongoose! |
Monster High TM, Invasion of the Ghoul Snatchers |
Die Schule der kleinen Vampire, Blut auf Raedern |
Winx, Mission at Cloudtower |
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